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Well Documented And Organised Research Helps To Write Good Essays

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Brown says when he first meets with the devil, “Faith kept me back awhile” (Hawthorne 1290). This phrase can be interpreted to mean that his faith in God or religion made him hesitate and reconsider his evil meeting, or it could be exactly as it sounds—His wife, Faith, delayed his arrival. Furthermore, towards the end of the story, Brown yells, “My Faith is gone! ” (Hawthorne 1294). Brown has just realized that his wife, Faith, has been at the center of the demonic mass in the forest all along. This exclamation can be read to mean that his faith in others, himself, or religion has been lost because of his traumatic experiences in the forest. He has been awakened to the reality that all of the seemingly pious townsmen and women are sneaking off to indulge in blatant sinning under the cover of darkness. Viewing Faith as a symbol of all kinds of conviction really helps to understand the Brown’s character and the outcome of the story. Keil’s interpretation was interesting because it combined two easily understood literary criticism methods.


His application of history to the Gender Studies approach is what makes his theories most useful to Hawthorne’s readers. The separate gender spheres as the basis for Brown’s hesitation throughout and his ultimate cynicism at the end of the story makes sense given the context in which Hawthorne wrote. The consideration of the two drastically different time periods operating within the story, furthermore, brings to light a reason for Hawthorne’s lack of clarity. The clashing of the time periods, the early eighteenth century versus the early nineteenth century, plays a huge role in the development of the characters and plot. It follows, then, that it is important for Hawthorne’s readers to understand the two historical backgrounds functioning within the confines of “Young Goodman Brown.” Keil’s explanation provides theories that are easily applicable to the story to allow for a greater understanding of Hawthorne’s characters and intentions. McKeithan’s essay was useful because it follows a more unique train of thought.


His theory, that Brown is upset because of his own sins, is the opposite of my own interpretation. My initial reaction was that Brown was unhappy because he was awakened to his fellow Puritan’s hypocrisy. McKeithan’s essay focuses on disproving that assumption. Outlining And Writing An Analytical Essay is valuable in its unique look at sin, temptation, and personal responsibility. I do think, however, that McKeithan’s essay is the least convincing of the three, because it lacks sufficient evidence to support its claims that Brown’s self-reflections of his own sinful nature were the cause of his eventual cynicism. On the contrary, Fogle’s ideas were the most clearly organized of the three authors that I read. His analyses of imagery, language, ambiguity, and clarity made apparent Hawthorne’s intention of offsetting uncertainty with structure. The part of Fogle’s paper that was the most useful was the passage outlining the full circle that the action in the story forms (213). Continually, Fogle expertly explains the classic relations of good and evil in Hawthorne’s story. These two components serve to emphasize the simplicities that exist in Hawthorne’s writing and, therefore, keep the reader from being lost in the complexities of the story itself.


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